Authors
and publishers alike are more concerned than ever about protecting
their material from those who would steal it and attempt to peddle it
as their own. But this whole problem goes way beyond that. Today, we
have to keep a close eye on the Internet, negotiate publishing
contracts even for magazines, steer clear of unethical agents, often
fight for payment or the return of our manuscripts—to name just a
few. I don’t want to give the impression that it’s a minefield
out there, but the professional author must both understand and be
able to fight for his or her rights. This blog is being written to
help you do just that.
I have
been threatening to write about this for years, but it wasn’t until
I sat down and started laying it out that I realized how much more I
needed to include than I had originally planned. My intention is to
both make you aware of the potential problems and also provide enough
information that you can respond professionally and appropriately in
almost any situation you come up against in your dealings with
agents, editors, publishers, and even other authors. Some topics
covered here may not be what you expected, but they are included
because they relate to ethical/unethical situations in which writers
may find themselves. In those parts we will focus on the problem
situations or possible rights violations to look out for.
After years of working with
writers, teaching classes on copyright law, and answering specific
questions dealing with rights and permissions, I am well aware of
what kinds of questions and problems typically plague writers. This
blog is written to meet those specific needs without making you wade
through a lot of extraneous material.
I
would suggest that you read through this material at least once a year
for general background information and to increase your knowledge in
these important areas, so you will be better prepared to defend your
rights. Then also use it for reference when specific problems
or questions come up.
In
all my years experience as a writer and working with writers, one of
my biggest frustrations has been in watching writers who were so
ignorant of their rights that they let editors/publishers take
advantage of them, or were so afraid of losing a contract that they
were willing to accept any terms or treatment. The result of such
ignorance or unwillingness to act has had a profound affect on
writers everywhere. Publishers and agents are not going to change
their policies unless the majority of the writers they work with let
them know that slow response times, unfair contracts, late or ignored
payments, and reusing material (print or electronic) without payment
or credit are not acceptable. Together we can accomplish much more
than we can do individually.
Tomorrow come back for the help you’ll need to recognize the problems and to
act in a way that will protect your rights and the rights of your
fellow writers.
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