Some
magazines or periodicals have the author sign a separate contract for
each article they agree to buy. Other publications never use a
contract, and simply lay out the terms in a letter. The contracts are
usually simple—about a page in length—and basically indicate what
you will be paid, when (on acceptance or publication, etc.), and what
rights they are buying. Nevertheless, it is important that you read
the contract carefully before signing and be sure that what the
contract says adheres with the terms you agreed to verbally or the
terms you expected. If it does not agree with your expectations, or
you have questions, be sure to ask for clarification or answers. Do
not sign the contract as long as any of your questions/concerns
remain unanswered or the answers unsatisfactory.
Since
publishers have been known to revise their terms without pointing it
out to their authors, don’t assume that because you have signed a
contract with this publication in the past that the terms of this one
will be the same.
Once
you have become a regular contributor to a publication, it is not out
of line to ask for payment on acceptance (if they have been paying
you on publication). If they have to do little or no editing on your
work, you can also begin to expect (or ask for) a higher rate of
payment.
The
one area that may cause the greatest concern is the rights they are
buying. Avoid selling all rights or doing work for hire unless the
prestige and the payment justify it. Even publications that indicate
that they buy all rights are often willing to negotiate. Unless you
are writing curriculum, or the like, you should not be expected to do
your freelance work as work for hire. (See section on Work for Hire.)
Be especially careful of giving permission for publishing your
material online. That should be carefully spelled out in the
contract, and granting electronic rights should also indicate a
higher payment. If in doubt—ask.
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