I
have met all kinds of would-be writers—those who have always wanted
to write (and may have been closet writers for years), those who
never wanted to write (but have had an experience that must be
written), those who are looking for a creative outlet (and think
writing might be it), and those who don’t have a clue what they are
doing, but feel God is leading them in this direction. Most of us
have arrived here through one of those doors.
It
doesn’t matter which door brought you here, the important thing is
that you are here and want to learn more about the craft of writing.
The problem is in knowing exactly where to start this whole process.
There are a lot of different segments of the writing business, many
of them equally important, so I have never identified what is truly
the first step. For that reason, I am going to start with a lot of
general, background information that will set the stage for more
specific information to come.
Although
we are meeting at this beginning place with different backgrounds in
writing, in order to keep us on level ground I will assume that you
know little or nothing about the writing business. I will also
assume that you are experiencing the same doubts most new or would-be
writers are experiencing. At some point we all ask the same
questions: How do I know if I really am a writer? How can I tell if
my writing is any good? Will people laugh at me if I tell them I’m
a writer? Such doubts are common.
At
this point I would only try to encourage you by saying that the fact
that you have come this far in pursuit of a dream gives it validity.
If you care enough about this desire to write to start learning more
about it, you owe it to yourself to pursue the possibility until the
doors close or you decide this writing business is not for you. By
the time you work your way through this series of blogs, you will likely have a
strong sense of whether or not you are pursuing the right dream at
the right time.
We
all start with doubts about our writing ability as well. As you get
into the process, watch for or seek out opportunities to get some
feedback from experienced writers on how you are doing. This can be
done through writer’s groups or organizations, mail or e-mail
round-robins (where you critique each other’s material), or by
paying someone for a professional critique. We will talk more about
these options throughout the book.
Now
it is time to put aside the doubts and move on to learning all you
can about the business of writing so you can make an informed
decision about moving on or opting out. However, at some point you
will need to decide in your own mind where you will go from there.
Being a writer does not take a special degree or formal training, but
it does take the same kind of commitment that you make to any other
endeavor.
Many
years ago when I first started writing, I was complaining about
deadlines and editors or simply about having to write, when my
daughter asked why I did it. Why didn’t I quit? I had to start
asking myself the same question. About that time I was reading one
of my favorite columns in The Writer
magazine, written by Leslie Conger, when she made me face the
question head on. She asked this: “If you suddenly came into a
million dollars, could you walk away from the typewriter (computer)
of yours without a backward look, sail around the world, live it up,
and not care a moldy fig if you ever write another word? Think about
it? And think about libraries, bookstores and stationary shops—think
about the smell of a new book, reams of blank paper,
freshly-sharpened pencils.” The images have changed somewhat over
the years, but she contends you are ready to quit only when these
things lose their magic—when both the dream and the part of you
that was the dreamer are stone, cold dead.
It
was then I realized I was a writer because there was no way I could
not be a writer. Over the years I’ve discovered that most people
fail, not for lack of talent, but for lack of commitment. It’s
interesting that once you know you won’t quit—no matter
what—that’s the point you start becoming a professional—the
point when you know you are a writer.
MORE TO COME.
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